Don Caron: Reviews
"...the highlight being the (Caron) aria 'Sanftesten Träumen', performed by soprano Ann Fennessy, which is simply sublime. It would not be an overstatement to say that Puccini himself would have been proud to have written it.
Don Caron’s evocative score is virtually faultless.
"You may find yourself humming the damn thing
against your will on the way home."
Luke Thompson - LA New Times (May 19, 1998)
I've heard many top ballet pianists, and for me, your work has always stood above the rest.
Nathan Fifield - Staff Conductor, Houston Ballet (Jan 15, 2006)
Caron’s music can be dense and complex on the inside, but its surface is often a foot-tapping delight.
Travis Rivers - The Spokesman Review (Apr 22, 1998)
"...the rousing music is alone worth the price of admission."
Andrew Sarris - New York Observer (Jun 19, 1998)
"With all those lovely scenes you need lush swelling orchestral music and this movie has plenty of that."
Dennis Hunt - San Diego Union Tribune (Aug 19, 1999)
"Composer Don Caron has written a lovely homage to Richard Strauss."
Charlotte Observer - Lawrence Toppman (Feb 29, 2000)
Caron’s solo and chamber music have been heard regularly in Spokane for the past 20 years or so; it was a pleasure to hear tightly knit work for full orchestra with its energy and deft touches of orchestral color.
Travis Rivers - The Spokesman Review (Jan 26, 1996)
"[Caron's opera, Der Korb is] a power that uplifts us and draws us
from our work-a-day lives into something larger."
Warren Epstein - Colorado Springs Gazette (May 5, 2002)
Caron’s “Paradigm Shifts” is a commission from the symphony to celebrate its 50th season. The work drives forward with a churning rhythmic idea that is rarely absent. Even in the works softer sections, this rhythmic motif swims across the quiet current of sustained chords like rowdy children playing in a placid stream.
Review of Spokane Symphony Concert
January 26, 1996 at the Spokane Opera House
Travis Rivers, correspondent - The Spokesman Review (Jan 26, 1996)